本頁黑白影像概於1979年初夏以「超八厘米」拍攝，後逐一數碼化。或問：怕人從網上「偷學」嗎？但願打得比我們更好，到時勿忘向傳授的黃漢勛宗師致敬禮！
These black-and-white films were shot with a super-8 camera in the early summer of 1979. They were then digitized over a period of time and now made available for your perusal. Are we concerned that one might learn these sets and take them as their own without our consent? No matter! It is indeed our sincere wish that they would perform these sets better than we do. When that happens, please don’t forget to acknowledge and pay tribute to Mr Hon Fan WONG, the master who passed on the treasures of the Praying Mantis School Martial arts to us.
網頁中演練與宗師標準尚有距離，旨在留一紀錄待後來者探研。The performances shown in this page are far from perfect, especially when compared with Master Wong’s. We simply wish to leave a record for future generations to study.
宗師曾傳授八卦單刀（精武會初級會員必習之刀法）、燕青單刀、五行單刀、六合單刀、六合雙刀、軍中大刀、斬馬刀、春秋大刀、醉酒地躺刀、地躺雙刀、空手對刀、單刀對槍、雙刀對槍、十字梅花對子刀及對春秋四十刀等。將安排陸逐上載。
宗師於《螳螂拳典》中云：「燕青乃水滸中之步戰英雄，與武松等齊名，燕青除精箭法，復擅用單刀，故有燕青單刀之名，螳螂派之燕青單刀，不知傳自燕青，或慕名另創者，實不可考，惟此單刀法，在螳螂派中極普遍之武器，全刀凡五十五式，法簡易練，而更切實用，單刀之法，首重貼身自護，與由短變長之伸縮，對長兵器尤需要胆識，否則機會一縱即逝，故術語有云；單刀看手與搏命單刀之說，看手者，是看無刀之手，配合與運用，范公與羅師俱精單刀術，尤其一刀化五刀之法，神妙極矣。拙著第十二種即燕青刀矣【《燕青單刀》。螳螂國術館，1956年。】」
These black-and-white films were shot with a super-8 camera in the early summer of 1979. They were then digitized over a period of time and now made available for your perusal. Are we concerned that one might learn these sets and take them as their own without our consent? No matter! It is indeed our sincere wish that they would perform these sets better than we do. When that happens, please don’t forget to acknowledge and pay tribute to Mr Hon Fan WONG, the master who passed on the treasures of the Praying Mantis School Martial arts to us.
These black-and-white films were shot with a super-8 camera in the early summer of 1979. They were then digitized over a period of time and now made available for your perusal. Are we concerned that one might learn these sets and take them as their own without our consent? No matter! It is indeed our sincere wish that they would perform these sets better than we do. When that happens, please don’t forget to acknowledge and pay tribute to Mr Hon Fan WONG, the master who passed on the treasures of the Praying Mantis School Martial arts to us.
宗師於《螳螂拳典》中云：「軍中大刀術，由『九．一八』戰役時始創，因敵方（日本）兵士俱携日式軍刀臨陣，蓋其久存侵略之心，故其訓練有素，一經運用，頗能威脅我前綫健兒，後我方急謀應付，因廣聘武術名師，傳授刀法應用，遂有大刀隊之稱，先由華北成立隊伍，該刀由斬馬改為短柄者，一經開上前線，即能發揮無比之力，不但日式軍刀失去對抗之效，反而望而生畏，再由精武先進盧煒昌先生在穗垣等處，集合南北武師，各以『絕招』妙技獻出，由盧君編成一有系統之刀法，命名為『聯合大刀術 』。先師同時亦自創大刀一法，傳與華僑回國服務團，有此刀法留傳國內，亦能揚威於海外。拙著第十種 【《軍中大刀術》。螳螂國術館，1955年。】即此刀法也。」
斬馬刀
黃宗師晚年曾傳以斬馬刀。軍中大刀形近長柄之單刀，斬馬刀則近短柄之春秋大刀。其中有別單刀者：春秋大刀、軍中大刀、斬馬刀基本上均兩手握刀。
後載《黃漢勛先生服務國術界四十年榮休紀念特刊 》
春秋大刀
此春秋大刀凡九十七式，且分斬四門，練之者，必須瞭解其方位，與重複之先後，更須多練及牢誌之，方不至日久易忘，大刀為重兵刄之一。除具備充足氣力之外，尤其架式之佈置，萬不能忽畧，氣力與架式俱佳，則氣勢為最高之境界，練時必有凜凜然，如神聖不可侵犯之氣慨，始臻於鋒極矣。」
大刀為古兵刃之一，抑亦為四大兵械之首，是即「刀」、「槍」、「劍」、「戟」也。大刀乃馬上使用之武器，其長度如以馬上作比例，則鑽到地而刀把與肩看齊為合。步戰尺度是鑽着地而手握把與肩齊為標準。逾此、或不及則為個人所好而非一般所需之準繩也。刀之最重法則厥惟「看白刃」。蓋白刃乃全刀之精華所在。若不處處留意白刃「刀鋒」之轉動與變換，則對大刀之用法實相逕庭也。至其命名為「大關刀」與「春秋刀」之名者實寓有一段故事於其中。大刀原名為大砍刀，由來已久矣。至明清之季國人頗尊敬關公，立廟祀之，尊之為帝君。關公所用者亦為大砍刀，因此多改呼為關刀。公像中又手持書本，相傳其秉蠋待旦而夜看「春秋」，乃避免曹操構陷其叔嫂同居一室之嫌。於是千古傳為正義與美談。稍涉文字之武師因此又呼之為春秋刀之由來也。余知者僅此，螳螂派所傳之春秋大刀想亦不例外也。書此以為之序云尔。
戊戍（1958）孟秋黃漢勛
據《三國演義》，拖刀計是關公的絕技，佯裝拖刀敗走，引敵將來追，等到敵將追到身後趁敵人得意洋洋之際忽然回身，以自身為軸，揮舞大刀做360度圓周運動的橫劈。見第二十八回「斬蔡陽兄弟釋疑，會古城主臣聚義」及第五三回「關雲長義釋黃漢升，孫仲謀大戰張文遠」。
單刀對槍，雙刀對槍，大刀對槍：
These black-and-white films were shot with a super-8 camera in the early summer of 1979. They were then digitized over a period of time and now made available for your perusal. Are we concerned that one might learn these sets and take them as their own without our consent? No matter! It is indeed our sincere wish that they would perform these sets better than we do. When that happens, please don’t forget to acknowledge and pay tribute to Mr Hon Fan WONG, the master who passed on the treasures of the Praying Mantis School Martial arts to us.
